There’s something genuinely intriguing about Chcę więcej that’s starting to build momentum in film circles, even though we’re still a few months away from its scheduled January 30, 2026 release. The title itself—which translates to “I Want More”—immediately signals something about desire, ambition, and perhaps desperation. It’s a phrase that could mean different things depending on context, and that ambiguity is exactly the kind of thing that gets people talking before a film even hits theaters.
Director Damian Matyasik is steering this thriller-action hybrid, which already tells us we’re likely looking at something with stakes and propulsive energy. Matyasik isn’t working in a vacuum here—he’s assembling a cast that includes Maciej Musiałowski, Julia Wieniawa, and Sebastian Dela, three names that carry weight in Polish and European cinema. When you see these performers attached to a project, especially one positioned as a thriller with action elements, there’s an implicit promise that the material has teeth.
What makes Chcę więcej particularly worth watching unfold is how it represents a certain type of filmmaking that’s becoming increasingly important in 2026’s cinematic landscape. With awards season in full swing and the conversation dominated by massive franchises and prestige dramas, there’s real value in a thriller that seems to be built on character dynamics and tension rather than spectacle alone. This isn’t a superhero sequel or an adaptation of an established property—it’s an original vision from a director with something specific to say.
Maciej Musiałowski has proven himself capable of carrying complex narratives with nuance and intensity. Pairing him with Julia Wieniawa, whose range has been consistently impressive across her recent work, suggests that Matyasik is interested in interpersonal conflict as much as external action. Sebastian Dela rounds out this triangle in a way that feels deliberately chosen—these three actors have chemistry potential that could elevate what might otherwise be a straightforward genre exercise into something more psychologically layered.
The fact that we’re still in the “coming soon” phase means the full picture hasn’t revealed itself yet, but that’s almost part of the appeal. There’s anticipation building—not the kind manufactured by a dozen trailers and viral marketing campaigns, but the quieter kind that comes from film enthusiasts recognizing a promising collaboration and wondering where it will lead. In an industry landscape cluttered with known quantities and franchise entries, that sense of genuine uncertainty about what we’re about to experience feels almost refreshing.
Consider what’s happening in cinema right now:
- Major studios are playing it safe with sequels and established IP
- Awards season has created a distinct divide between prestige and commercial cinema
- Original thrillers with ambitious casts are becoming rarer investments
- European filmmakers are increasingly finding their place in global conversations
- Character-driven action is undervalued in an era of spectacle-first blockbusters
Chcę więcej arrives into this environment as something that could matter—not because it’s guaranteed to be perfect (no film is), but because it represents filmmakers and actors willing to take creative risks on original material. When it’s released on January 30, 2026, it will be interesting to see whether critics and audiences respond to that ambition or whether the film becomes one of those projects that generates more interest in anticipation than in execution.
The timing is also worth considering. Coming in the thick of 2026’s film calendar, when box office predictions and awards calculations are already well underway, Chcę więcej will be competing for attention in a crowded marketplace. But sometimes the films that matter most are the ones that sneak up on people—the projects that weren’t on anyone’s radar as potential game-changers until they actually arrived and proved themselves.
The title “I Want More” is a provocation in itself. It’s asking audiences what they’re willing to do, what they’re willing to risk, what line they might cross for something they desire. That’s a fundamentally human question, and it’s the kind that great thrillers are built upon.
Without any official rating yet—we’re sitting at 0.0/10 simply because the film hasn’t been released and reviewed—there’s no critical consensus to anchor expectations. In some ways, that’s liberating. We’re not walking in with predetermined notions about whether this is a masterpiece or a disappointment. We’re walking in with curiosity, which is how films should ideally be experienced.
Damian Matyasik has constructed something that feels intentional. The choice of cast, the commitment to the thriller-action genre without leaning entirely into spectacle, the European sensibility that distinguishes it from typical Hollywood product—these decisions suggest a filmmaker with a clear vision. Whether that vision connects with audiences remains to be seen, but there’s something to be said for filmmakers who trust their instincts and their collaborators enough to make those bold choices.
As we move toward that January 30, 2026 release date, Chcę więcej represents something worth paying attention to: original cinema made by artists who believe in what they’re creating. In 2026, that might be the rarest and most valuable thing of all.
