There’s something genuinely intriguing brewing in the comedy landscape, and it’s worth paying attention to what’s being built around You’re Fired, the upcoming project that’s scheduled to release on February 12, 2026. While we’re still in that anticipatory phase where details are scarce and the film exists more as promise than product, there’s a real sense that something distinctive is taking shape under the direction of Marius Weisberg.
What’s immediately striking about this project is the cast Weisberg has assembled. Danila Kozlovsky brings a particular kind of charisma to Russian and Eastern European cinema—he’s someone who can ground comedy in genuine character moments rather than just playing for easy laughs. Pairing him with Mikhail Galustyan, whose comedic instincts lean toward physical humor and timing, creates an interesting dynamic. Then there’s Elena Fomina in the mix, and suddenly you’ve got a triangle of talent that could generate real chemistry on screen. These aren’t throwaway choices; this is a ensemble that suggests Weisberg has a specific vision for what he wants his comedy to feel like.
The anticipation building toward this 2026 release speaks to something deeper—audiences are hungry for comedy that doesn’t just hit the obvious notes, and the creative team here seems positioned to deliver something with actual texture.
Let’s talk about Weisberg for a moment, because understanding a director is crucial to understanding what a film might become. He’s working with Vice Films, which has shown an interest in projects that blend sharp writing with strong performances. The fact that Weisberg has brought together this particular cast suggests he’s not interested in broad, slapstick territory. Instead, there’s a hint that You’re Fired will occupy that space where comedy emerges from character and situation rather than gimmick—where the humor lands because we believe in who these people are and what they’re going through.
The title itself is provocative in interesting ways. “You’re Fired” immediately evokes workplace dynamics, corporate comedy, the kind of high-stakes professional environment that’s ripe for comedy precisely because it’s where so many of us spend our actual lives. It’s territory that hasn’t been exhausted in cinema, particularly not in the Russian-language film sphere, where workplace comedies tend to operate differently than their American counterparts. There’s potential here for something that feels both culturally specific and universally relatable.
What we’re expecting to see when this lands:
- A comedy grounded in recognizable professional spaces and the absurdities that emerge there
- Strong character work from Kozlovsky, Galustyan, and Fomina rather than broad ensemble chaos
- Direction that understands how to pace comedy—knowing when to let a moment breathe and when to move forward
- Probably some sharper observations about work culture, ambition, and ego that go deeper than surface-level satire
It’s worth noting that the film currently sits at a 0.0/10 rating on the database, which makes perfect sense—we’re too far out from release for any meaningful critical consensus to exist. This is actually refreshing in a way. We’re not dealing with pre-release baggage or early reviews that might taint expectations. You’re Fired exists in that beautiful space of pure potential, where the film could genuinely be anything that Weisberg and his team have envisioned.
The runtime and specific budget details remain unknown, which is typical for projects still in the pre-release window. What matters more is that this has enough institutional backing (Vice Films doesn’t bankroll projects lightly) and enough directorial intent to suggest this isn’t a quick commercial cash-grab. This is someone making a deliberate choice about the kind of comedy they want to create.
Why this matters for the broader comedy landscape:
Comedy has been in interesting flux lately. Audiences have become increasingly sophisticated about what they’re willing to laugh at, and filmmakers have responded by either going harder into character-driven humor or retreating into tried-and-true formulas. Weisberg appears to be in the first camp, which is where the most interesting work tends to happen. A comedy that trusts its cast, that finds humor in recognizable human situations, that doesn’t feel obligated to explain every joke—that’s the kind of film worth caring about.
When You’re Fired releases in early 2026, it will be arriving into a market that’s genuinely hungry for smart comedy. The cast Weisberg has assembled suggests he understands that comedy, real comedy, comes from conviction and character. Kozlovsky, Galustyan, and Fomina are all performers who know how to find the truth in a moment, which is the foundation that great comedy is built on.
There’s also something encouraging about the fact that this project is happening at all—that there’s enough creative faith and financial backing to make a comedy that doesn’t appear to be based on an existing IP or a well-worn formula. In 2026, that’s becoming increasingly rare, which makes You’re Fired feel like something worth anticipating. It’s the kind of film that, if it lands right, could remind people why they fell in love with comedy in the first place.
