You know that feeling when you stumble across a game that’s still months away from release, but something about it just clicks? That’s the energy surrounding InOut right now. Scheduled to launch on January 27th, 2026, this indie adventure is quietly building momentum in a gaming landscape absolutely packed with blockbuster titles. While we’re waiting for its arrival, there’s genuine intrigue about what Bora Kara and Feyyaz Kucuk are cooking up—and honestly, that’s exactly when the most interesting conversations start happening in gaming communities.
Let’s be real for a second: 2026 is shaping up to be absolutely stacked. We’ve got massive franchises returning, established series getting expanded, and the usual suspects dominating headlines. But there’s something refreshing about an indie adventure title that’s positioning itself outside that noise. InOut isn’t trying to be The Biggest Game of 2026—it’s carving out its own space, which is increasingly rare and increasingly valuable. The indie scene continues to prove that budgets don’t dictate creativity, and this project seems to understand that fundamental truth.
What We Know So Far
Right now, InOut exists in that fascinating pre-release bubble where potential feels limitless. The game is confirmed for both PC (Microsoft Windows) and Mac, immediately signaling that the developers are thinking about accessibility and reaching players across different ecosystems. That’s not a massive detail, but it speaks to intentional design choices from Feyyaz Kucuk and the team at Bora Kara—they’re not just building for one platform and hoping for ports later.
The adventure genre designation is interesting too. “Adventure” can mean so many different things in modern gaming:
- Environmental storytelling and exploration
- Puzzle-solving and discovery mechanics
- Character-driven narratives
- Action-adventure hybrids
- Narrative-focused experiences with minimal combat
Without hands-on time or detailed gameplay reveals, there’s room for InOut to define what adventure means for its own world. That ambiguity is actually part of what makes the January 2026 release so compelling—we’re anticipating something, but we don’t fully know what shape it will take.
The Pre-Release Phenomenon
Here’s something worth discussing: a 0.0/10 rating on a gaming database when a game hasn’t released yet is actually the right call. Too many outlets try to speculate or assign early scores, but InOut being unrated reflects the honest truth—we simply don’t know how this will land yet. That’s not a negative. That’s anticipation in its purest form. No hype machine, no early access controversy, no day-one patches making headlines. Just genuine curiosity about what’s coming.
The indie space thrives on these moments of unknowing—when a small team’s vision meets player expectations without preconception clouding the experience.
This is where indie games can surprise us in ways AAA productions rarely do. When you’re not juggling eight simultaneous marketing campaigns and franchise obligations, you can focus on creative vision. Bora Kara and Feyyaz Kucuk will be launching into a competitive window, sure, but they’re doing it on their own terms.
Timing and Context
The gaming calendar for 2026 is fascinating because it represents a mix of sequels, expansions, and new IP fighting for attention. We’re seeing established franchises like Elder Scrolls Online continuing to evolve with updates and new costs structures that have players debating value. Meanwhile, foundational games like Animal Crossing are getting fresh content and Switch 2 iterations. Massive multiplayer experiences are getting new civilizations and campaigns in games like Age of Empires. It’s genuinely crowded.
That’s precisely why InOut’s positioning matters. The adventure genre has room for diverse experiences—from intimate, story-focused journeys to expansive exploration games. Where this title lands on that spectrum will significantly impact its reception and legacy.
The Developer Question
One of the most underrated aspects of anticipating an indie release is getting to know the people behind it. Feyyaz Kucuk and the team at Bora Kara represent the kind of creative voices that define what’s possible in gaming. We’re in an era where individual developers and small studios can compete with massive teams—not always on production values, but absolutely on innovation, heart, and unique perspective.
Without extensive development documentation readily available, InOut remains somewhat of a mystery—and that’s intentional game design from a community perspective. The developers are letting the work speak gradually rather than flooding the market with trailers and developer diaries. There’s a respect in that approach.
Why This Matters
As we head toward January 27th, 2026, InOut deserves recognition not because we know it’s brilliant, but because it represents something important: the continued viability of adventurous indie projects in a market dominated by known quantities. It’s a reminder that the most interesting gaming conversations often happen around the edges, where risk-taking developers create experiences that bigger studios wouldn’t touch.
The fact that this game is generating interest before release, with minimal hype infrastructure behind it, suggests something genuine is happening. Whether that’s anticipation for the game itself or simply excitement about what indie adventures can still accomplish in 2026—either way, that conversation is worth having.
Mark January 27th on your calendar. This is one to watch.
