There’s something quietly compelling about a documentary that refuses to announce itself loudly. “Through Your Eyes” is set to release on February 6, 2026, arriving in a cinematic moment already buzzing with festival energy and independent spirit. While the film hasn’t yet reached audiences, there’s genuine intrigue building around what Brigitte Poupart is crafting here—both as director and performer alongside Fabiola Pierre Monty. This is the kind of project that reminds us why documentaries matter: they’re often the most honest conversations cinema can offer.
What makes this film particularly worth paying attention to is the creative intimacy of its approach. When a director steps in front of their own camera while simultaneously steering the narrative from behind it, you’re entering territory that demands vulnerability and clarity of vision. Poupart isn’t delegating the story to others; she’s living it, which inherently changes the texture of what we’ll see on screen. This dual role—as both filmmaker and subject—has the potential to create something uncomfortably honest, the kind of documentary that lingers with you precisely because it resists easy answers or manufactured drama.
The documentary landscape in early 2026 is particularly rich. We’re watching a moment where personal stories are intersecting with formal experimentation, where filmmakers are asking what it means to represent truth in cinema. “Through Your Eyes” arrives amid this cultural moment, scheduled to premiere just after the Sundance Film Festival concludes its annual celebration of independent work. There’s an undercurrent of anticipation surrounding February releases this year—a sense that the festival circuit has been building toward something substantial.
What We Know So Far
EMAfilms is producing this 91-minute documentary, which means we’re looking at a lean, focused runtime rather than an expansive epic. That’s strategic storytelling. Consider these details:
- In Production status: The film is still being shaped and refined, which speaks to Poupart’s meticulous approach
- Scheduled for February 2026: A release window that positions it within awards season conversations but outside the typical January crush
- Collaborative vision: The presence of Fabiola Pierre Monty suggests this isn’t a solitary personal essay but a dialogue, an exchange of perspectives
The 0.0/10 rating currently reflects the simple fact that no audience has seen it yet. There’s something almost refreshing about that blank slate—no predetermined expectations, no algorithm-driven discourse shaping perception before anyone’s experienced the actual film. This is still pure potential.
The Creative Vision at Work
What interests me most about Poupart’s approach is the implied thesis of the title itself. “Through Your Eyes” suggests multiple perspectives, multiple ways of seeing. There’s a generosity in that framing—the acknowledgment that truth is refracted through individual experience. When a documentary director includes themselves in the frame while investigating something larger, they’re making a philosophical statement about objectivity and subjectivity.
This is particularly meaningful in the documentary space right now, where filmmakers are increasingly interrogating the old myth of the neutral observer. Poupart appears to be leaning into that interrogation rather than resisting it. By having both herself and Monty central to the film’s structure, she’s suggesting that documentary is always a conversation between filmmaker and subject, camera and world. Making that visible is itself an act of honesty.
The collaboration between Poupart and Monty feels essential to understand. These aren’t distant professional relationships—this appears to be creative partners working in genuine proximity, which typically yields richer material than hierarchical filmmaking structures. When subjects and filmmakers trust each other, the work deepens. Vulnerability becomes possible.
Why This Matters Beyond the Festival Circuit
The most enduring documentaries aren’t necessarily the ones that break stories or uncover scandals. They’re the ones that reveal something true about human experience—small, specific, universal all at once.
“Through Your Eyes” seems positioned in that tradition. It’s not, from what we can glean, a investigative piece or an expose. It’s more intimate than that—a meditation, perhaps, or an exchange. In a media landscape increasingly fragmented, where we struggle to see through each other’s perspectives, a film built explicitly around the act of looking through another’s eyes feels quietly radical.
The timing of its February 2026 release also matters. It arrives:
- After the Sundance Festival has reset conversations about independent cinema
- During a period when awards bodies are still considering contenders
- In the early days of a year when audiences are often hungry for substance over spectacle
This positioning suggests the filmmakers understand the rhythm of the festival and theatrical calendar. They’re not chasing maximum visibility; they’re seeking the right audience at the right moment.
A Documentary That Trusts Its Audience
What I find most promising about this project is what it isn’t attempting. There’s no apparent need for sensationalism, no celebrity names attached to manufacture interest. Instead, we have two artists, a production company willing to support intimate work, and a commitment to documentary form that values process over product.
When “Through Your Eyes” reaches audiences on February 6, 2026, it will arrive as a relatively quiet entry into an increasingly loud cinema. That quietness might be its greatest strength. It’s an invitation to slow down, to look carefully, to consider how we see one another. In a film year already heavy with spectacle and algorithm-driven noise, that feels like exactly what we need—a reminder that cinema’s most powerful moments often arrive not as declarations but as conversations, whispered directly to whoever’s willing to listen.
